Programme Specification for the 2023/4 academic year
BA (Hons) Art History & Visual Culture and Global Cultural Studies (3- year)
1. Programme Details
| Programme name | BA (Hons) Art History & Visual Culture and Global Cultural Studies (3- year) | Programme code | UFA3SMLSML20 |
|---|---|---|---|
| Study mode(s) | Full Time Part Time |
Academic year | 2023/4 |
| Campus(es) | Streatham (Exeter) |
NQF Level of the Final Award | 6 (Honours) |
2. Description of the Programme
The BA (Hons) Art History & Visual Culture and Global Cultural Studies (3-year) programme is an exit route only and not available for direct application.
This programme will give you a thorough grounding in the main themes and methods of Art History & Visual Culture and Modern Languages. It will be of particular interest if your background or interests are in the history of art, creative practice, cinema, cultural history, philosophy, sociology, literature or ancient history, and it draws upon interdisciplinary research in visuality across these areas. Art History & Visual Culture and Modern Languages enables you to divide your time equally between two related subject areas.
In Art History & Visual Culture, you will learn how to interpret works of art (including architecture and design) and visual images (including images, objects and practices) in order to understand contemporary and past societies and you will be able to follow your interests through a wide range of optional modules: you can choose to study art and material culture in ancient societies; look in detail at the way art history works; or focus on visual culture within a specific society or time period right up to the modern day. Modules are designed to provide you with a sense of the range and variety of artistic and visual works, and to encourage you to engage critically with these works understood in their historical and theoretical contexts. You will explore the media, techniques, and historical contexts relevant to the production of these works, the terminology used to describe and evaluate them and the institutions that present them to the public.
The Global Cultural Studies side of the programme offers choice between the study of one of seven major languages (Chinese, French, German, Italian, Portuguese, Russian or Spanish), taught by experienced language specialists including native speakers and academic staff at the cutting edge of research in their particular discipline. Progression through the programme will combine the acquisition of language with the study of the literature, culture, film and linguistics of the language disciplines as well as advanced translation practice. You will develop a high level of proficiency in reading, writing, understanding and speaking your selected language, providing you with valued skills for future careers. A carefully arranged choice of modules enables you to focus more towards language skills or to learn about the society in which a particular language is spoken. These cultural modules cover topics as broad as history, politics, philosophy, literature and cinema; they complement the language study within the programme and further ground your understanding of the language of your choice.
As a whole, the BA (Hons) Art History & Visual Culture and Global Cultural Studies (3-year) offers you a coherent programme of study, balancing core elements with a choice of specialist topics to suit your individual aspirations and requirements.
Advice and guidance on your programme can be sought from your personal tutor and programme director. All staff offer regular office hours that you can drop into without a prior appointment for this purpose.
3. Educational Aims of the Programme
This programme aims to develop your competence in the subject specific and research skills required in both Art History & Visual Culture and Modern Languages, through extended engagement with primary sources and methodologies, relevant critical material, and both theoretical and historical contexts. You will acquire a thorough grounding in the core principles of Art History & Visual Culture and Modern Languages, through a programme which engages you imaginatively in the process of understanding and analysing languages, literature, history, culture, and the visual, through study of both broad and detailed focus.
In Art History & Visual Culture, you will be engaged in learning with broad coverage, content, and methodology: throughout the programme, you will study a wide range of art, film, video, performance and digital arts, sculpture, architecture, and illustration, while also developing the skills necessary to analyse particular aspects of art works across a range of time periods and geographical areas. In Modern Languages modules, you will train towards a high level of proficiency in reading, speaking, writing and listening, with the aim of enabling you to communicate readily in personal and professional arenas. Art History & Visual Culture and Modern Languages offer detailed subject knowledge, broad coverage and a wide range of choice.
You will also acquire advanced competence in core academic, personal and key skills, providing a basis for career progression in the academic and professional worlds. You will be exposed to a variety of teaching and assessment methods within appropriate learning environments, supported by feedback and monitoring. You will also be given an opportunity to develop your independent study skills through a piece of individual research, and to develop your professional skills through engagement with galleries, museums and the University’s own art and heritage collections.
The programme provides an intellectually stimulating, satisfying experience of learning and studying, and forms a sound basis for further study in Art History & Visual Culture and Modern Languages or related disciplines. It aims to develop a range of subject specific, academic and transferable skills, including high order conceptual literacy and communication skills of value in graduate employment. Art History & Visual Culture and Modern Languages, like other programmes offered within the College of Humanities, encourages you to become a global citizen, a productive, useful and questioning member of society, and provides thorough training for further study or a specialist career. You may utilise the skills you develop in a range of sectors, including heritage management, museums and galleries, arts administration, consultancy, market research, the civil service, education, teaching, new media industries, journalism and publishing, research, charities, information science, advertising and public relations.
4. Programme Structure
5. Programme Modules
The following tables describe the programme and constituent modules. Constituent modules may be updated, deleted or replaced as a consequence of the annual programme review of this programme.
http://intranet.exeter.ac.uk/humanities/studying/undergraduates/modules/
You may take optional modules as long as any necessary prerequisites have been satisfied, where the timetable allows and if you have not already taken the module in question or an equivalent module. You are expected to balance your credits in each stage of the programme, taking 60 credits from Art History & Visual Culture, and 60 credits from Modern Languages. On the Modern Languages side of your programme, you will normally take optional content modules appropriate to your degree stage and corresponding to your compulsory language module.
The College of Humanities, however, takes the view that in Combined Honours programmes you would be incapable of reaching a satisfactory standard in the chosen language if you took fewer than 60 credits per year in it. Accordingly you may not exercise the modularity option in Modern Languages (modularity is where you are permitted to take elective modules from other disciplines that are not included in the programme specification). However, it would be possible for you in certain cases, to exercise the right from the History side of your programme alone.
At all stages, you will take one compulsory language module amounting to 30 credits in total.
On this 3-year programme, transfer to which is permissible in exceptional circumstances only, you are encouraged wherever possible to spend a period of residence in countries where the language of study is spoken during a vacation before progressing to the final stage. The Programme Director for the relevant language discipline can advise you on the most appropriate way of gaining experience of independent learning for your individual circumstances.
Transfer from the 3-year to the 4-year programme is possible up to the end of stage 2. All such transfers are subject to approval by the Director of Education and are only permissible in exceptional circumstances. Where you have completed the degree programme in three years, the words ‘Three-Year Programme' will appear on your degree certificate; otherwise the titles of the 3-year and 4-year versions of a degree programme are identical.
Stage 1
30 credits of compulsory Art History & Visual Culture modules, 30 credits of compulsory modules in your chosen language, 30 credits of optional Art History & Visual Culture modules, and 30 credits of Modern Languages modules.
Subject to choosing 120 credits for the stage overall, you must:
a select 30 credits of compulsory modules in your chosen language.
b select either AHV1005 and AHV1009, or AHV1012, selecting 30 credits in total.
c select 30 credits of optional modules consisting of content related to your chosen language; on the Modern Languages side of your programme, you may select a maximum of 15 credits of either the SML- or HUM-coded modules for the year. Please note that certain modules may only be available to students on Single Honours programmes, or to students who have taken a particular language module. This information will be given in the pre-requisites or co-requisites section of the relevant module descriptor. Please note for students of Modern Languages Portuguese (Single Honours or Combined Honours) MLP1002 is compulsory. For FLC students or other non-Modern Language students, it remains optional
Compulsory Modules
| Code | Module | Credits | Non-condonable? |
|---|---|---|---|
| AHV1011 | Questions and Methods in Art History and Visual Culture | 30 | No |
| MLX S1 BA comp language 2022-3 [See note a above] | |||
| MLF1001 | French Language | 30 | Yes |
| MLF1052 | French Language for Beginners | 30 | Yes |
| MLG1001 | German Language | 30 | Yes |
| MLG1052 | German Language for Beginners | 30 | Yes |
| MLI1001 | Italian Language | 30 | Yes |
| MLI1052 | Italian Language for Beginners | 30 | Yes |
| MLM1052 | Beginners Chinese | 30 | Yes |
| MLP1052 | Portuguese Language for Beginners | 30 | Yes |
| MLR1001 | Contemporary Russian Written and Oral | 30 | Yes |
| MLR1030 | Russian Language for Beginners | 30 | Yes |
| MLS1001 | Spanish Language | 30 | Yes |
| MLS1056 | Spanish Language for Beginners | 30 | Yes |
Optional Modules
| Code | Module | Credits | Non-condonable? |
|---|---|---|---|
| AHV S1 BA CH opt 2022-3 [See note b above] | |||
| AHV1012 | Approaches to Art History and Visual Culture | 30 | No |
| AHV1005 | Inside the Museum | 15 | No |
| AHV1009 | Topics in Art History and Visual Culture II | 15 | No |
| MLX S1 BA French opt 2022-3 [See note c above] | |||
| MLF1014 | Love and Death in French Culture | 15 | No |
| MLF1017 | The Making of Modern France | 15 | No |
| MLF1103 | The French Language, Present and Past | 15 | No |
| MLF1105 | An Introduction to French Thought | 15 | No |
| MLF1121 | French Visual History | 15 | No |
| SML1207 | Introduction to Film | 15 | No |
| MLX S1 BA German opt 2022-3 [See note c above] | |||
| MLG1014 | A Nation Remembers: Issues in German Cultural Memory | 15 | No |
| MLG1020 | Made in Germany: the History and Culture of a Global Brand | 15 | No |
| MLG1021 | Outside In: An Introduction to Outcasts and Outsiders in German-language Literature and Film | 15 | No |
| SML1207 | Introduction to Film | 15 | No |
| MLX S1 BA Italian opt 2022-3 [See note c above] | |||
| MLI1016 | Italy Inside Out: Popular Visual Narratives about Italy | 15 | No |
| MLI1121 | A Thousand Faces: Cultures and History in 19th-Century Italy | 15 | No |
| MLX S1 BA Chinese opt 2022-3 [See note c above] | |||
| MLM1010 | China of the Senses: Approaching Chinese Culture and Environments | 15 | No |
| MLM1013 | A Brief History of Modern China (1861-Present) | 15 | No |
| MLX S1 BA Portuguese opt 2022-3 [See note c above] | |||
| MLP1002 | Introduction to the Lusophone World | 15 | No |
| MLX S1 BA Russian opt 2022-3 [See note c above] | |||
| MLR1005 | Chekhov's Major Plays | 15 | No |
| MLR1023 | Russia: Empire and Identity | 15 | No |
| MLX S1 BA Spanish opt 2022-3 [See note c above] | |||
| MLS1064 | An Introduction to the Hispanic World: Texts in Context | 15 | No |
| MLS1066 | The Making of Modern Latin America: History Through Literature and Culture | 15 | No |
| MLS1065 | The Making of Modern Spain | 15 | No |
Stage 2
30 credits of compulsory Art History & Visual Culture modules, 30 credits of compulsory modules in your chosen language, 60 credits of optional modules (including 30 credits of Art History & Visual Culture modules, and 30 credits of Modern Languages modules).
Subject to choosing 120 credits for the stage overall, you must:
d select 30 credits of compulsory modules in your chosen language.
e select 30 credits from this list of optional Art History & Visual Culture modules; we recommend selecting at least one module from AHV2002 and AHV2007.
f select 30 credits of optional modules consisting of content related to your chosen language; on the Modern Languages side of your programme, you may select a maximum of 15 credits of either the SML- or HUM-coded modules listed below for the year. It is your responsibility to ensure that credit for SML modules can be counted towards the language of your study, where this is necessary for your credit count.
Compulsory Modules
| Code | Module | Credits | Non-condonable? |
|---|---|---|---|
| AHV2015 | Art History and Visual Culture Field Study for Blended Learning | 30 | No |
| MLX S2 BA comp language 2022-3 [See note d above] | |||
| MLF2001 | French Language, Written and Oral | 30 | Yes |
| MLF2152 | Intermediate French | 30 | Yes |
| MLG2001 | German Language, Written and Oral | 30 | Yes |
| MLG2052 | Intermediate German | 30 | Yes |
| MLI2001 | Italian Language, Written and Oral | 30 | Yes |
| MLI2051 | Italian Language | 30 | Yes |
| MLM2052 | Intermediate Chinese (One) | 30 | Yes |
| MLP2052 | Intermediate Portuguese | 30 | Yes |
| MLR2001 | Contemporary Russian Written and Oral I | 30 | Yes |
| MLR2030 | Intermediate Russian | 30 | Yes |
| MLS2001 | Spanish Language, Written and Oral | 30 | Yes |
| MLS2156 | Spanish Language (ex-beginners) | 30 | Yes |
Optional Modules
| Code | Module | Credits | Non-condonable? |
|---|---|---|---|
| AHV S2 BA CH opt 2022-3 [See note e above] | |||
| AHV2011 | Global Art and Empire, 1850-1950 | 15 | No |
| AHV2016 | Contemporary Art and Curation | 15 | No |
| AHV2017 | Art and Climate Change | 15 | No |
| AHV2018 | Comics Studies: Histories, Methodologies, Genres | 30 | No |
| AHV2019 | Common Threads: Art, Craft and Activism | 15 | No |
| AHV2208 | Ideal Cities? Urban Cultures of Renaissance Italy | 15 | No |
| AHV2007 | Contemporary Visual Practices | 15 | No |
| AHV2009 | The New York Avant-Garde 1955-1980 | 30 | No |
| AHV2012 | Revolutions: Art and Society in France, 1770-1848 | 30 | No |
| AHV2013 | Photography and Evidence | 15 | No |
| AHV2020 | Deconstructing the Dutch Golden Age: Nationalism, Exceptionalism and Decline | 15 | No |
| MLF2066 | Intimate Spaces of the French Enlightenment | 15 | No |
| THE2214 | Building God's House: The Origins of Church Architecture | 30 | No |
| EAS2089 | Creative Industries: Their Past, Our Future | 30 | No |
| AHV2002 | Debates and Contestations in Art History | 15 | No |
| MLX S2 BA French opt 2022-3 [See note f above] | |||
| MLF2012 | Evolution of the French Language | 15 | No |
| MLF2029 | Varieties of French | 15 | No |
| MLF2056 | Provoking Thoughts - French Literature and Philosophy from the Renaissance to the 20th Century | 15 | No |
| MLF2063 | Crime and Punishment in French Fiction | 15 | No |
| MLF2065 | Contemporary French Film: Issues and Debates | 15 | No |
| MLF2066 | Intimate Spaces of the French Enlightenment | 15 | No |
| MLF2069 | East is East? Cross-Cultural Encounters in Medieval French Literature | 15 | No |
| MLF2074 | Translating Exile: Contemporary Francophone Women Writers | 15 | No |
| MLF2070 | Violence and Virtue: Early Modern French Theatre | 15 | No |
| MLF2076 | Subversive Texts: Baudelaire and Rachilde | 15 | No |
| MLX S2 BA German opt 2022-3 [See note f above] | |||
| MLG2003 | Youth and Age: Generations in German Fiction and Film | 15 | No |
| MLG2018 | Berlin - Culture, History and Politics | 15 | No |
| MLG2019 | Gender, Race and Migration in 20th and 21st-century German Literature | 15 | No |
| MLX S2 BA Italian opt 2022-3 [See note f above] | |||
| AHV2208 | Ideal Cities? Urban Cultures of Renaissance Italy | 15 | No |
| MLI2018 | Love (and Marriage?) in Contemporary Italian Film Comedy | 15 | No |
| MLX S2 BA Chinese opt 2022-3 [See note f above] | |||
| MLM2002 | Politics of Contemporary China | 15 | No |
| MLM2010 | Reading China: from Mandarins to Revolutionists | 15 | No |
| MLX S2 BA Portuguese opt 2022-3 [See note f above] | |||
| MLP2002 | Portuguese as a Global Language | 15 | No |
| MLP2005 | Travelling Identities in the Lusophone World | 15 | No |
| MLX S2 BA Russian opt 2022-3 [See note f above] | |||
| MLR2021 | Understanding Russia | 15 | No |
| MLR2024 | Exploring Revolution: The Making of Soviet Society and Culture in the 1920s | 15 | No |
| MLX S2 BA Spanish opt 2022-3 [See note f above] | |||
| MLS2045 | Federico Garcia Lorca: Theatre and Poetry | 15 | No |
| MLS2060 | Love and Death in Spanish Drama | 15 | No |
| MLS2061 | The Latin American Short Story | 15 | No |
| MLS2070 | Catalonia Is Not Spain? Modern Catalan Culture in Context | 15 | No |
| MLS2072 | Place and Identity in Contemporary Venezuelan Culture | 15 | No |
| MLS2158 | "What is Love? And Do I Need It?" An Introduction to Spanish Renaissance Love Poetry | 15 | No |
| MLS2159 | Key Modern Poets from Spain and Latin America | 15 | No |
| MLS2160 | Fiction in Post-War Spain: Voices of Conformity and Subversion | 15 | No |
| MLX S2 BA ML opt 2022-3 [See note f above] | |||
| HUM2004 | Making a Career in Publishing | 15 | No |
| HUM2005 | Tales of Freedom, Necessity and Providence | 15 | No |
| SML2209 | Music in Medieval Europe | 15 | No |
| SML2244 | Multilingualism in Society | 15 | No |
| SML2246 | Intercultural Communication | 15 | No |
Stage 3
60 credits of optional Art History & Visual Culture modules, 30 credits of compulsory modules in your chosen language and 30 credits of optional modules consisting of content related to your chosen language.
Subject to selecting 120 credits in the stage you must:
h select 30 credits of compulsory modules in your chosen language.
i select 60 credits from this list of optional Art History & Visual Culture modules.
j select 30 credits of optional modules consisting of content related to your chosen language; you may select a maximum of 15 credits of the SML- or HUM-coded modules listed below for the year, these are additional to SML3015. You may, alternatively, take SML3030. Please note you may only select one dissertation module across the two programmes. It is your responsibility to ensure that credit for SML modules can be counted towards the language of your study, where this is necessary for your credit count.
Compulsory Modules
| Code | Module | Credits | Non-condonable? |
|---|---|---|---|
| MLX SF BA comp language [See note h above] | |||
| MLF3111 | Advanced French Language Skills | 30 | Yes |
| MLG3111 | Advanced German Language Skills | 30 | Yes |
| MLI3111 | Advanced Italian Language Skills | 30 | Yes |
| MLM3111 | Advanced Chinese Language Skills | 30 | Yes |
| MLP3111 | Advanced Portuguese Language Skills | 30 | Yes |
| MLR3111 | Advanced Russian Language Skills | 30 | Yes |
| MLS3111 | Advanced Spanish Language Skills | 30 | Yes |
Optional Modules
| Code | Module | Credits | Non-condonable? |
|---|---|---|---|
| AHV SF BA CH opt 2022-3 [See note i above] | |||
| AHV3003 | The Face | 15 | No |
| AHV3005 | Queer Visual Practices | 15 | No |
| AHV3008 | Performance Art | 15 | No |
| EAF3515 | Something to See: War and Visual Media | 30 | No |
| EAS3245 | The 21st Century Museum | 30 | No |
| EAS3421 | Picturing the Global City: Literature and Visual Culture in the 21st Century | 30 | No |
| AHV3002 | Understanding Space in Renaissance Italy | 15 | No |
| AHV3007 | Global Modernisms | 15 | No |
| AHV3011 | Pornography: Bodies, Sex, and Representation | 15 | No |
| AHV3012 | Installation Art | 15 | No |
| AHV3013 | Art, Industry and the Modern, 1840-1900 | 15 | No |
| AHV3016 | Conceptual Art | 15 | No |
| MLG3036 | Dictatorships on Display: History Exhibitions in Germany and Austria | 15 | No |
| THE3214 | Building God's House: The Origins of Church Architecture | 30 | No |
| AHV3000 | Art History and Visual Culture Dissertation | 30 | No |
| MLX SF BA French opt 2022-3 [See note j above] | |||
| MLF3006 | The Invention of Modern Love | 15 | No |
| MLF3034 | Sociolinguistics of French | 15 | No |
| MLF3046 | Dialectology in France | 15 | No |
| MLF3050 | Music, Poetry, and Society at the Late Medieval French Court | 15 | No |
| MLF3075 | First-Person Outsiders in Modern French Literature | 15 | No |
| MLF3078 | Philosophers, Prophets, and Mystics in French Culture | 15 | No |
| MLF3079 | Sex, Subversion and Censorship: Libertine Literature in Seventeenth-Century France | 15 | No |
| MLF3080 | Les Miserables from the Nineteenth Century to the Present Day | 15 | No |
| MLF3081 | Sexual Politics: Gender Dynamics in Early Modern France | 15 | No |
| MLX SF BA German opt 2022-3 [See note j above] | |||
| MLG3036 | Dictatorships on Display: History Exhibitions in Germany and Austria | 15 | No |
| MLG3037 | Coping with Catastrophe: German Culture, Literature and Politics in the Interwar Years | 15 | No |
| MLG3040 | Sex, Sciences and the Arts | 15 | No |
| MLX SF BA Italian opt 2022-3 [See note j above] | |||
| AHV3002 | Understanding Space in Renaissance Italy | 15 | No |
| MLI3032 | Italian Screen Audiences: Film and television history from below | 15 | No |
| MLI3199 | Elena Ferrante's My Brilliant Friend | 15 | No |
| MLX SF BA Chinese opt 2022-3 [See note j above] | |||
| MLM3009 | China through the Lens: Cultural Translation and Self-Presentation | 15 | No |
| MLM3011 | China and the Third World: Foreign Relations and Nation Building in China in the Cold War Era | 15 | No |
| MLX SF BA Portuguese opt 2022-3 [See note j above] | |||
| MLP3002 | Afro-Brazil: Ideas of Africa in Brazilian Fiction | 15 | No |
| MLP3005 | Changing voices: tracing the development of Portuguese over time | 15 | No |
| MLX SF BA Russian opt 2022-3 [See note j above] | |||
| MLR3026 | The Deceptive City: The Creation of St Petersburg in Russian Literature | 15 | No |
| MLR3027 | The Making of Underground Russia, 1825-1917 | 15 | No |
| MLX SF BA Spanish opt 2022-3 [See note j above] | |||
| MLS3037 | Women and Feminism in 20th Century Spain | 15 | No |
| MLS3057 | Cross Currents: Memory, Myth and Modernity in Latin America | 15 | No |
| MLS3067 | "Monster of Nature and Phoenix of Wits." An Introduction to the Work of Lope de Vega | 15 | No |
| MLS3068 | Staging Conflicts: Spanish Romantic Drama | 15 | No |
| MLS3112 | Spanish Modernists: Narratives of Identity, Gender and Nation | 15 | No |
| SML3031 | Advanced Translation Skills | 15 | No |
| MLX SF BA ML opt 2022-3 [See note j above] | |||
| HUM3002 | Aliens Abroad: Science Fiction in Global Literature | 15 | No |
| HUM3015 | The Place of Meaning: Gardens in Britain and China | 15 | No |
| SML3009 | Intercultural Communication in a Global World | 15 | No |
| SML3013 | Through the Language Lens: the Relationship between Language, Culture and the Mind | 15 | No |
| SML3015 | Dissertation | 15 | No |
| SML3030 | Extended Dissertation | 30 | No |
| SML3031 | Advanced Translation Skills | 15 | No |
| SML3036 | Beyond Sex and the City: Becoming a Woman in Contemporary Western Cinema | 15 | No |
| SML3040 | Women in Translation: Gender and Publishing in the 21st Century | 15 | No |
| SML3041 | Green Matters in Modern Languages and Cultures | 15 | No |
Stage 4
Compulsory Modules
| Code | Module | Credits | Non-condonable? |
|---|---|---|---|
| MLX SF BA comp language [See note h above] | |||
| MLF3111 | Advanced French Language Skills | 30 | Yes |
| MLG3111 | Advanced German Language Skills | 30 | Yes |
| MLI3111 | Advanced Italian Language Skills | 30 | Yes |
| MLM3111 | Advanced Chinese Language Skills | 30 | Yes |
| MLP3111 | Advanced Portuguese Language Skills | 30 | Yes |
| MLR3111 | Advanced Russian Language Skills | 30 | Yes |
| MLS3111 | Advanced Spanish Language Skills | 30 | Yes |
Optional Modules
| Code | Module | Credits | Non-condonable? |
|---|---|---|---|
| AHV SF BA CH opt 2022-3 [See note i above] | |||
| AHV3003 | The Face | 15 | No |
| AHV3005 | Queer Visual Practices | 15 | No |
| AHV3008 | Performance Art | 15 | No |
| EAF3515 | Something to See: War and Visual Media | 30 | No |
| EAS3245 | The 21st Century Museum | 30 | No |
| EAS3421 | Picturing the Global City: Literature and Visual Culture in the 21st Century | 30 | No |
| AHV3002 | Understanding Space in Renaissance Italy | 15 | No |
| AHV3007 | Global Modernisms | 15 | No |
| AHV3011 | Pornography: Bodies, Sex, and Representation | 15 | No |
| AHV3012 | Installation Art | 15 | No |
| AHV3013 | Art, Industry and the Modern, 1840-1900 | 15 | No |
| AHV3016 | Conceptual Art | 15 | No |
| MLG3036 | Dictatorships on Display: History Exhibitions in Germany and Austria | 15 | No |
| THE3214 | Building God's House: The Origins of Church Architecture | 30 | No |
| AHV3000 | Art History and Visual Culture Dissertation | 30 | No |
| MLX SF BA French opt 2022-3 [See note j above] | |||
| MLF3006 | The Invention of Modern Love | 15 | No |
| MLF3034 | Sociolinguistics of French | 15 | No |
| MLF3046 | Dialectology in France | 15 | No |
| MLF3050 | Music, Poetry, and Society at the Late Medieval French Court | 15 | No |
| MLF3075 | First-Person Outsiders in Modern French Literature | 15 | No |
| MLF3078 | Philosophers, Prophets, and Mystics in French Culture | 15 | No |
| MLF3079 | Sex, Subversion and Censorship: Libertine Literature in Seventeenth-Century France | 15 | No |
| MLF3080 | Les Miserables from the Nineteenth Century to the Present Day | 15 | No |
| MLF3081 | Sexual Politics: Gender Dynamics in Early Modern France | 15 | No |
| MLX SF BA German opt 2022-3 [See note j above] | |||
| MLG3036 | Dictatorships on Display: History Exhibitions in Germany and Austria | 15 | No |
| MLG3037 | Coping with Catastrophe: German Culture, Literature and Politics in the Interwar Years | 15 | No |
| MLG3040 | Sex, Sciences and the Arts | 15 | No |
| MLX SF BA Italian opt 2022-3 [See note j above] | |||
| AHV3002 | Understanding Space in Renaissance Italy | 15 | No |
| MLI3032 | Italian Screen Audiences: Film and television history from below | 15 | No |
| MLI3199 | Elena Ferrante's My Brilliant Friend | 15 | No |
| MLX SF BA Chinese opt 2022-3 [See note j above] | |||
| MLM3009 | China through the Lens: Cultural Translation and Self-Presentation | 15 | No |
| MLM3011 | China and the Third World: Foreign Relations and Nation Building in China in the Cold War Era | 15 | No |
| MLX SF BA Portuguese opt 2022-3 [See note j above] | |||
| MLP3002 | Afro-Brazil: Ideas of Africa in Brazilian Fiction | 15 | No |
| MLP3005 | Changing voices: tracing the development of Portuguese over time | 15 | No |
| MLX SF BA Russian opt 2022-3 [See note j above] | |||
| MLR3026 | The Deceptive City: The Creation of St Petersburg in Russian Literature | 15 | No |
| MLR3027 | The Making of Underground Russia, 1825-1917 | 15 | No |
| MLX SF BA Spanish opt 2022-3 [See note j above] | |||
| MLS3037 | Women and Feminism in 20th Century Spain | 15 | No |
| MLS3057 | Cross Currents: Memory, Myth and Modernity in Latin America | 15 | No |
| MLS3067 | "Monster of Nature and Phoenix of Wits." An Introduction to the Work of Lope de Vega | 15 | No |
| MLS3068 | Staging Conflicts: Spanish Romantic Drama | 15 | No |
| MLS3112 | Spanish Modernists: Narratives of Identity, Gender and Nation | 15 | No |
| SML3031 | Advanced Translation Skills | 15 | No |
| MLX SF BA ML opt 2022-3 [See note j above] | |||
| HUM3002 | Aliens Abroad: Science Fiction in Global Literature | 15 | No |
| HUM3015 | The Place of Meaning: Gardens in Britain and China | 15 | No |
| SML3009 | Intercultural Communication in a Global World | 15 | No |
| SML3013 | Through the Language Lens: the Relationship between Language, Culture and the Mind | 15 | No |
| SML3015 | Dissertation | 15 | No |
| SML3030 | Extended Dissertation | 30 | No |
| SML3031 | Advanced Translation Skills | 15 | No |
| SML3036 | Beyond Sex and the City: Becoming a Woman in Contemporary Western Cinema | 15 | No |
| SML3040 | Women in Translation: Gender and Publishing in the 21st Century | 15 | No |
| SML3041 | Green Matters in Modern Languages and Cultures | 15 | No |
6. Programme Outcomes Linked to Teaching, Learning and Assessment Methods
Intended Learning Outcomes
A: Specialised Subject Skills and Knowledge
| Intended Learning Outcomes (ILOs) On successfully completing this programme you will be able to: | Intended Learning Outcomes (ILOs) will be... | |
|---|---|---|
| ...accommodated and facilitated by the following learning and teaching activities (in/out of class): | ...and evidenced by the following assessment methods: | |
1. Identify Art History & Visual Culture and Modern Languages as broad subject disciplines. | ILOs 1-8 are acquired through lectures, seminars, workshops, study groups, tutorials and other learning activities throughout the programme. The degree of specialisation of subject knowledge increases during the programme. Modules at Stage 4 are most closely related to the research specialism of the staff teaching the module. The precise method of teaching varies according to each module. On team-taught modules you will normally engage in both lectures and seminar groups. In smaller options you will normally spend most of your contact time in seminar groups and workshops. Core language modules at Stage 1 include an introduction to language-learning strategies, with subsequent stages requiring you to make systematic use of the self-access material available in the library, in the Foreign Language Centre, and via web-based resources. Language modules at each stage use authentic materials in the chosen language/s, both written (texts in a variety of styles and registers) and spoken (oral classes with native speakers, together with use of TV and the electronic media). These forms of target-language material are used in a variety of ways, including reading or listening comprehension, translation, and production of related material in the chosen language/s through exercises such as summarising, essay-writing and oral presentations. Instruction is reinforced by regular formative assessment. Formal grammar is taught, both in seminars and through guided study of a textbook, at a level appropriate to each stage of the programmes and to level of achievement at the outset of the programme. | The assessment of these skills is through a combination of presentations and participation in seminars, coursework, log-books, web-based assessments, essays, oral and written exams, other written reports/projects, and (if chosen) a dissertation. Essays, exams and presentations are especially significant within the programme because they assess each of the skills, ILOs 1-8. The assessment criteria pay full recognition to the importance of the various skills outlined. |
Intended Learning Outcomes
B: Academic Discipline Core Skills and Knowledge
| Intended Learning Outcomes (ILOs) On successfully completing this programme you will be able to: | Intended Learning Outcomes (ILOs) will be... | |
|---|---|---|
| ...accommodated and facilitated by the following learning and teaching activities (in/out of class): | ...and evidenced by the following assessment methods: | |
9. Demonstrate understanding of the linguistic principles required to assimilate and analyse the structure of a foreign language. | These skills are developed throughout the programme in all modules, with the emphasis becoming more complex as you move from stage to stage. They are developed through lectures and seminars, written work, and oral work (both in presentation and seminar discussion), and reinforced through the range of modules across all four stages. They will culminate in the substantial and independent research skills demonstrated within the dissertation and special subject modules. | These skills are developed throughout the programme in all modules, with the emphasis becoming more complex as you move from stage to stage. They are developed through lectures and seminars, written work, and oral work (both in presentation and seminar discussion), and reinforced through the range of modules across all four stages. They will culminate in the substantial and independent research skills demonstrated within the dissertation and special subject modules. |
Intended Learning Outcomes
C: Personal/Transferable/Employment Skills and Knowledge
| Intended Learning Outcomes (ILOs) On successfully completing this programme you will be able to: | Intended Learning Outcomes (ILOs) will be... | |
|---|---|---|
| ...accommodated and facilitated by the following learning and teaching activities (in/out of class): | ...and evidenced by the following assessment methods: | |
16. Apply advanced literacy and communication skills in appropriate contexts including the ability to present sustained and persuasive written and oral arguments. | Personal and key skills are delivered through all modules, and developed in lectures, workshops, study groups, tutorials, work experience and other learning activities throughout the programme. | The assessment of these skills is through a combination of presentations and participation in seminars, log-books, web-based assessments, essays, oral and written exams, other written reports/projects, and a dissertation. ILOs 16-21 are also strongly developed in the course of the portfolio of assessed essays and other written work produced through all stages of the programme. These assessments work on the principle of offering formative feedback to support the development of your written work within as well as between modules. Feedback on one assignment is intended to inform the next piece of work you undertake on the module; the next piece of work on the programme, or the future learning of graduates. ILO22 is associated especially with the range of group presentations taking place in modules. Group presentation assessment brings into focus an important range of skills for you, including sharing workloads, responsibility for tasks, team-working, collaborative and communicative skills. Individual contributions to group work are also assessed individually, most often in the form of a reflective presentation report. ILOs 23-25 are also accomplished in the course of ‘real-time’ formal assessments such as presentations and end of module exams, which occur in all four levels of the programme. ILO26 is particularly related to the optional module ‘Humanities in the Workplace’, and to the range of work conducted in the field through Art History & Visual Culture options. |
7. Programme Regulations
Programme-specific Progression Rules
To progress to the final stage of the BA (Hons) Art History & Visual Culture and Modern Languages you must pass one of the non-condonable Study or Work Abroad modules, SML3010, SML3020, or SML3025. If you fail one of these modules you will be transferred to the 4-year BA (Hons) Art History & Visual Culture and Global Cultural Studies programme. The 4-year BA (Hons) Art History & Visual Culture and Global Cultural Studies programme is only available as an exit route from the BA (Hons) Art History & Visual Culture and Modern Languages following failure at stage 3. If you are transferred to the BA (Hons) Art History & Visual Culture and Global Cultural Studies, your degree classification will be calculated from the credit-weighted average marks for stages 2 and 4 combined in the ratio 1:2 respectively.
Programme-specific Award Rules
You will enter initially to study the BA (Hons) Art History & Visual Culture and Modern Languages, but your final degree title will reflect the language you have studied.
Classification
Full details of assessment regulations for all taught programmes can be found in the TQA Manual, specifically in the Credit and Qualifications Framework, and the Assessment, Progression and Awarding: Taught Programmes Handbook. Additional information, including Generic Marking Criteria, can be found in the Learning and Teaching Support Handbook.
8. College Support for Students and Students' Learning
All students within Art History & Visual Culture and Modern Languages have a personal tutor for their entire programme of study and who are available at advertised ‘office hours’. There are induction sessions to orientate you at the start of your programme. A personal tutoring system will operate with regular communication throughout the programme. Academic support will be also be provided by module leaders. You can also make an appointment to see individual teaching staff.
The Bill Douglas Cinema Museum houses one of Britain’s largest public collections of books, prints, artefacts and ephemera relating to the history and prehistory of cinema. At the heart of the Centre is the Bill Douglas and Peter Jewell Collection, comprised of approximately 50,000 items.
Programme handbooksand other useful information can be accessed via the student intranet: www.intranet.exeter.ac.uk/humanities/studying/taughthandbook/.
Other useful information and student resources can be accessed via the Exeter Learning Environment (ELE): vle.exeter.ac.uk/login/index.php , which has specific information on library skills, essay writing and research skills.
9. University Support for Students and Students' Learning
Please refer to the University Academic Policy and Standards guidelines regarding support for students and students' learning.
10. Admissions Criteria
Undergraduate applicants must satisfy the Undergraduate Admissions Policy of the University of Exeter.
Postgraduate applicants must satisfy the Postgraduate Admissions Policy of the University of Exeter.
Specific requirements required to enrol on this programme are available at the respective Undergraduate or Postgraduate Study Site webpages.
11. Regulation of Assessment and Academic Standards
Each academic programme in the University is subject to an agreed College assessment and marking strategy, underpinned by institution-wide assessment procedures.
The security of assessment and academic standards is further supported through the appointment of External Examiners for each programme. External Examiners have access to draft papers, course work and examination scripts. They are required to attend the Board of Examiners and to provide an annual report. Annual External Examiner reports are monitored at both College and University level. Their responsibilities are described in the University's code of practice. See the University's TQA Manual for details.
14. Awarding Institution
University of Exeter
15. Lead College / Teaching Institution
Faculty of Humanities, Arts and Social Sciences (HASS)
16. Partner College / Institution
Partner College(s)
Not applicable to this programme
Partner Institution
Not applicable to this programme.
17. Programme Accredited / Validated by
0
18. Final Award
BA (Hons) Art History & Visual Culture and Global Cultural Studies (3- year)
19. UCAS Code
Not applicable to this programme.
20. NQF Level of Final Award
6 (Honours)
21. Credit
| CATS credits | ECTS credits |
|---|
22. QAA Subject Benchmarking Group
[Honours] History of art, architecture and design
[Honours] Languages and related studies
23. Dates
| Origin Date | 01/10/2015 |
Date of last revision | 03/08/2022 |
|---|
